Cormac Richards

______ 15 April 2025 ______ 4**** _____ One of the refreshing things about the musical ‘Dear Evan Hansen’ is the depth of the story which is sustained throughout the length of the show. The titular character suffers with his mental health and while trying to explain away his issues becomes embroiled in a muddle of […]

______ 9 April 2025 ______ 5***** ______ From the opening minor keys to the gloriously rich, deeply romantic climax, Prokofiev’s 1940s score for the ballet of Cinderella is so varied and immensely cinematic in the many themes and moods built into it. As ever, the Royal Ballet Sinfonia, under the baton of Charlotte Politi provide

______ 1 April 2025 ______ 5***** ______ ‘The Shark is Broken’ could be seen as a more modern take on Jerome K Jerome’s ‘Three Men in a Boat’, not with a dog, this time, but with a shark called ‘Bruce’. There are story similarities, but they diverge rather widely. The behind the scenes story of

______ 8 March 2025 ______ 5***** ______ The genius of Matthew Bourne is encapsulated in his desire to offer opportunities to up and coming dancers and then being able to capture their loyalty via his New Adventures company. With ‘Swan Lake’ on tour, he has two more shows waiting to be launched to theatres across

______ 28 February 2025 ______ 2** ______ The stage musical of Mary Poppins has eluded this reviewer since it first opened in London in 2004, now on a national tour, the show has the pedigree of the original novel, Disney film, director Richard Eyre and co-director Matthew Bourne behind that premiere production. Far from slavish

______ 6 February 2025 ______ 4**** ______ It is something of a mystery why ‘On Golden Pond’ is, seemingly, so rarely performed, so when the opportunity to see this award-winning play comes along, one would be foolish to miss out. Made famous by the Oscar-winning film version starring Katherine Hepburn and Henry Fonda, the play

______ 30 January 2025 ______ 5***** ______ Light, frivolous and entertaining, ‘Present Laughter’ certainly is, but there is a deeper tone in Noel Coward’s autobiographical play which speaks of the insecurities borne by the rich and famous. “Have any of us got what we want?” says Garry Essendine, the central figure in the story. Tackling

______ 23 January 2025 ______ 4**** ______ The transition of Damon Runyon’s short stories into one of the most successful stage musicals ever, is a triumph of skill, foresight and artifice. 75 years since it first appeared on Broadway, the show retains a freshness, an originality and a charm which a number of more modern